Tag Archives: Lesser Evil

Doldrums’ Stream Album Lesser Evil Now Available

Last week Doldrums release their debut album Lesser Evil through Berlin label Souterrain Transmission (Europe) & Arbutus (North America). To celebrate the release, Doldrums AKA Airick Woodhead has uploaded a full stream of the debut album as well as a remix, which is both musical and visual, of recent single She Is The Wave.


Electronic pop act Doldrums

You can listen to Lesser Evil here.

Woodhead has also released a remix of his recent single She Is The Wave. This is one of the more eccentric tracks on the album combining juxtaposing beats with Woodhead’s vocals that jump from one extreme to the next, high and screeching to low and mysterious. Both the track and accompanying video have been remixed with BRTHR attacking the vocals and Emily Kai Block reworking the video (below).

Doldrums is now getting ready to head off on tour with Crystal Castles in North America.

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Doldrums to Release Debut Album Lesser Evil

Doldrums AKA Airick Woodhead is set to release his debut album titled Lesser Evil on February 25 through Souterrain Transmissions. Woodhead, a 23 year old from Toronto, has taken the world by storm with his eccentric take on electronic music. Having toured with the likes of Grime, Unknown Mortal Orchestra and Purity Ring and having produced remixes for Grime and Portishead, Woodhead has wowed audiences with his unique and rather electric style.

Lesser Evil was produced between July 2011 and May 2012 through the cracked screen of a borrowed Macbook – the screen which was then scanned and used as the album artwork. With earlier Doldrum releases using anything from 60s girl group samples to Bollywood psychedelia to dial up modems and feedback, Lesser Evil has been woven together in a more sophisticated way with a pallet of sounds ranging from warped vocals to analogue electronic gear.

Doldrums, Airick Woodhead

Doldrums album artwork for Lesser Evil

Lesser Evil is the perfect mix of alternative electro pop. There are chill out tracks alongside more upbeat, party numbers. Track two, Anomaly, is a favourite. Woodhead’s vocals and the back beat are very 80s in Anomaly while also having a distinct interwoven modern feel. On the other hand, She Is The Wave is an explosion of juxtaposing beats. At first it sounds like a massive mess but is in fact one of the best tracks on the album. Woodhead’s vocals move from one extreme to the next, high and screeching to low and mysterious.

Sunrise is another fantastic number. Woodhead’s voice is in the background in this song unlike in She Is The Wave where it is at the forefront. Sunrise is a short but sweet burst of relaxing tones with a brilliant instrumental bit towards the end.

The next song, Holographic Sandcastles sees Woodhead use an instrumental made by Sami Nacomi under one of his musical pseudonyms, Brain Expansion Program. The drum beat at the start is mesmerising, you can feel it pulsing through your veins, you won’t be able to stay still. Holographic Sandcastles is a blend of genres and it works perfectly. This is the five star song on the record due to its mix of Indian, African and jazz influences. It is original and interesting, it can’t be beaten. It’s a shame that Woodhead didn’t produce all the track, he only added the vocals.

Live Forever is one of the dirtier, hardcore songs on Lesser Evil with a heavy and slightly overpowering bass and drum beat but this isn’t a bad thing. It’s grungy and in your face, it’s hard not to like it for that reason alone. In a couple of songs time, you’re back to calm with Lost In Everyone. Lost In Everyone has soft vocals and a great melody which will bring you peace after the explosion that is Live Forever.

Doldrums has this ability to put together sounds that shouldn’t work and make it into something fantastically new and unusual. Lesser Evil might give some people a huge headache but for others it will be a record you will want to listen to again and again. Each time you listen you will spot some new noise or instrument you hadn’t noticed before. There are layers and layers to each song which is why Doldrums draws in so many people. Woodhead produces crazy, non-commercial electro-pop that will leave you mesmerised at how he managed to create it.

Lesser Evil is out on February 25 through Souterrain Transmissions. Doldrums plays Corsica Studios in London on February 20 and Brighton Green Door Store on February 21. More dates to be announced soon.

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Doldrums – Anomaly

Doldrums, AKA Airick Woodhead, is back with his brand new single Anomaly. After numerous EP releases on independent labels, eagerly devoured remixes for the likes of Peaking Lights, Grimes & Portishead and years developing his craft as a multi-talented musician trying his hand at DJing, producing and performing live, Anomaly precedes the release of 22 year old Woodhead’s debut album, Lesser Evil.

Lesser Evil comes out 25 February through Souterrain Transmissions in Europe (Arbutus in the US) and will be accompanied by a series of European release shows. The record was made between July 2011 & May 2012 through the cracked screen of a borrowed Macbook – a screen which was scanned and fittingly used as the album’s artwork.

Doldrums, Airick Woodhead

Toronto based band, Doldrums

Earlier Doldrums releases were constructed using solid samples of anything from 60s girl groups and Bollywood psychedelia to dial up modems and feedback. However, Lesser Evil is woven together from a more focused pallet of sounds; warped vocals through to analogue electronic gear.

Throughout all of it, the dance jams, the abused samples, the wildly swaying moods and tempos, Lesser Evil is sewn together by the distinctive tones in Woodhead’s voice, ranging from the tender femininity of Sunrise and Holographic Sandcastles, to full-blown, tripped out howling on She is the Wave. His voice can be mistaken on Anomaly for a female voice – just another original aspect to Woodhead’s music. It’s a more chilled out track compared to previous release, She is the Wave (which can be viewed below).

Doldrums is all about the use of electronic noises to make sophisticated,  modern and slightly unusual electro pop. It’s something you will either love or hate, there’s no in between here. Anomaly has a very 80s feel to it and the 80s were again something you either loved or hated. Anomaly, however reminiscent of the sounds in the 80s, does also feel very modern and is another step on from Egypt or Copper Girl. The great thing about Woodhead’s ability to make and produce music is that you can’t guess it’s the same person when you hear his range of tracks. Egypt sounds different from Jump On which again sounds entirely different from She is the Wave or brand new track, Anomaly. There’s no room to get bored.

Catch Doldrums live at the dates below:

20 February – London @ Corsica Studios (NME Awards Show)
21 February – Brighton @ Green Door Store
22 February – Paris @ Fireworks! Festival @ Point Ephémère
23 February – Amsterdam @ Nieuwe Anita

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